Many antiquities are made of mentioned material and mediums, a few examples of these artefacts are puppets, garments, masks, weapons, utilitarian Diadem with emblems of five cosmic Buddha Pancha-tathagata Particularly used as an ensemble in the initiation abhisheka ceremony. This crown is embellished with mystic syllables, denoting the five-fold wisdom of the transcendental Buddhas. The following letters are mystical seed syllable bija unique to each of the Buddhas - Amitabha Infinite Light represented by 'Hri', Akshobhya Unshakeable , etc.
These syllables are embroidered separately on five panels within torana-shaped segments. Ajilamo Mask E Arunachal Pradesh, India L. The Lhamo was the celestial figure and the queen of Gyeli. During the annual Losar festival, Monpa and Sherdukpens per this pantomime where they demonstrate the marriage between Lhamo and King Chhoegay Norzang. In the dramatic rhythm of drums and cymbals, the distinctive foot, hand, and bodily movements depict the qualities of the Achi Lhamo characters.
Perak It denotes their marital status, as only married women are allowed to adorn it. It is believed that the Perak drew its origin from the cowrie studded ceremonial Kupa headdress of Pakistan. Once worn, it creates an appearance that resembles the hood of a King Cobra, signifying the women as the custodian of the community. According to folklore, it was the Ladakhi queen who first initiated the tradition of wearing a Perak among the womenfolk of the region.
The basket is comprised of three elements- the lid, tray, and the stand. The offering tray has an additional circular-shaped stand fixed at the bottom. It is provided with a cone-shaped lid with a pointed knob. Both these elements emulate the shaping of Buddhist ritual metal jars. Apart from the usage, the technique and aesthetic presentation is also intriguing. The weave and designs of this tray are fashioned from cane and bamboo, made using diagonal plaiting complex twills, dexterously woven into herringbone patterns.
Earplugs Thuriya This was popularised by Ahoms and traditionally worn by females of all age-groups. This hand-crafted piece is made up of natural lac, encrusted with an enigmatic combination of red-colored rubies and green enamelling, relived with gold leaf paat-xun outlining.
The front section is crafted in the shape of a full-bloom lotus with layered petals, while the tube-shaped stem is decorated with geometric patterns.
Vermilion container Sindoor-dan The top compartment is for collyrium and opens with a lid hinged on one side. This compartment itself can be slid by pushing it aside to open the bottom compartment which is divided into two sections- one for the dry vermillion powder and another for the wet. To close, the upper compartment is slid back to position where it gets automatically locked up under the beak of one of the peacocks.
Marriage Litter Rahi It is entirely carved out of wood by the tribal craftsmen, displaying a variety of animal and human figurines. Like every tribal practice, during the creation of the rahi, a certain rituals are pered. When the work commences, two pigeons are sacrificed and after the work is completed, the owner not necessarily the maker and his wife sit on it and are carried to the central manjhisthan where two more pigeons or a goat is sacrificed.
Tent Hanging It is an exclusive fabric of hand-woven silk, made using a running stitch which is one of the oldest and simplest s of stitching. The border is characterized by a row of triangles. In the center, the ground has floral and leaves motifs along with an applique mirror work in its center.
Portable Shrine Kavad It is a folk tradition from the state of Rajasthan, where the Kavadia Bhatt priests commission the artisans belonging to the Suthar, carpenter-artist community of Bassi village caste to create these delightful portable shrines. The storytellers are called as Bhanwar Bhat. Jagannath Patachitra It is made in traditional Odisha using natural colors, bold angular, sharp lines, using geometric designs, flowers and foliage for decoration with red colored background.
This painting represents Lord Jagannath, his brother Balabhadra and sister Subhadra in the center flanked by the images of Lord Shiva on the right side and Lord Brahma on the left side.
Since the time of Pre-History to Present, Self-preservation, protection and war have always been an inseparable part of human society. Due to these factors, Arms, as well as Armors, became part of the society. National Museum has an extensive collection of Arms and Armors. From this collection, quite a few examples of Indian weapons like different variety of bows, Variety of Sword of Tipu Sultan The Delhishahi hilt damascened in gold. The Delhishahi hilt with its circular disc pommel, oval grip, small knuckle-guard, short quillons and small langets, is damascened in gold in floral and creeper design all over.
The blade is ornamented with floral motifs in opulent gold, and has Quranic verses inscribed along with name of Tipu Sultan Bahadur and his capital Serirangapatnam. The sheath is made of wood and covered with maroon velvet. Battle Axe of Nadir Shah The axe head is profusely decorated with gold and silver inscriptions. The octagonal handle is profusely decorated with floral designs in gold and silver.
Dagger Quite similar to the peshkabz, that is of Persian origin introduced in India by Mughals. The sheath of metal is perforated with the images of gods and goddesses. The upper part and chape of the sheath are enamelled.
The sheath of metal is delicately perforated with images of birds, animals and creeper delineation. Gun Powder It is decorated all over with cross design and five dots in each square. The cap is broken. A small iron chain is affixed to it. Shield of Maharana Sangram Singh The shield is made of rhinoceros hide. It has been lacquered black and painted in brilliant gold in C. The painting done on the shield consists of only three colors- lac red, carbon black and gold.
The painting is divided into eight sections illustrating the Maharana marching with retinue and deer, etc. Hilt The daggers with such carved jade hilts were worn and exchanged as gifts among the royal and noblemen within the Mughal empire and its neighbouring courts.
Chest-Plate Char-aina The two plates on the sides have under-cut on upper edge for the armpit. Five hooks are contoured on the end plates. The edges of all the plates are strengthened with additional serrated border. The borders have Devanagari script inscribed on it. The body armor has the name of the armor maker Sita Ram given on it.
Sword Small slightly curved sword of watered steel blade. The hilt, decorated in floral design in gold terminates into a tiger killing a deer which also becomes the knuckle-guard. The wooden sheath is covered with perforated metal in floral motifs with attached two bands and two rings. Helmet It is surmounted by a plume-holder and a movable nasal-guard with leaf-shaped terminals.
The entire helmet is profusely inlaid with gold in creeper, birds and geometrical patterns in zar-band. Arabic characters are encased in ornamental frames arranged at two levels upper and lower. The helmet also consists of a camail for the protection of shoulder and neck. Shield The outer rim has twelve windows in the shape of leaf. The shield is profusely inlaid with gold in floral, birds, creeper and geometrical patterns in zarbuland, with Arabic characters inlaid with gold in the centre of each window.
The four bosses with serrated borders are affixed between four windows. The rim gives an effect of light and shade- it is inlaid with gold alloy. Every culture has its distinct features, which is clearly reflected in its art, ranging from tiles and wood carvings, ceramic or metal utensils to textiles and jewellery. These functional objects are created manually, and help us in understanding the social, religious, commercial and technological development of the society Plaque An arch shaped plaque with floral design on one side and inlayed with stones and golden wire.
Damaged at places. Box Light green jade octagonal box with a detachable lid. Lid of a box is bejewelled with precious stones and gold wire arranged in a floral decoration form. The box's side walls are made of small plaques arranged in an octagonal shape. The outer side of the wall panel is decorated with Mughal botch, which are surmounted by gold wire frame.
The plain inner portion has three compartments two smaller one on either side whist the centre division is slightly bigger. Small bird A small bird having metal coating on its back with small metallic round balls fixed within provided loops. A small chain is also attached to it. Muhnal A huqqa muhnal inlaid with golden wires and stones. Some sockets are without stone. Cracked and damaged at places.
Venugopal, Ganesha and a saint The Venugopal stands on lotus pedestal, playing flute, is in the centre and a cow stands nearby. The Ganesha is seated on a mouse and a standing figure of a saint are on either side of Krishna.
All three images are fixed on a single base. Surahi A blue and white ware jar with lid having a handle. Outer drawing showing an elephant killing lion and an equestrian figure. Dasavatara shrine The sandal wood base of the shrine is mounted with an ivory sheet and in the background is a perforated ivory screen divided into three parts using European style pillars.
Gyan chaupar The entire field depicts snake and ladder with inscription in Devnagiri. Tusk depicting Buddha's life scenes Magnificent artwork illustrates the complete life story of Lord Buddha in forty-three small roundels.
It starts from bottom to top; the scenes are carved in roundels with floral creeper depicted around the roundels. Tip of the tusk illustrates Lord Buddha in three different mudras hand gestures representing important scenes of Buddha's life. Most of the scenes depicted here are represented in other art forms; however some of them have not been depicted earlier.
Although it's an early twentieth century work, even then the artist has thoroughly followed the literary text. Elephant with riders There is a male attendant sitting behind the royal figure who is holding a fly-whisk in his one hand. The elephant is richly ornamented.
The National Museum has a collection of nearly 14, manuscripts in various languages and scripts, covering a large number of subjects and representing various schools and provinces. It comprises fragmented or full manuscripts, of which about are illustrated.
The non-illustrated manuscripts are calligraphic, which have ornate letters almost transforming into pictures. Many of Ashtasahasrika Prajnaparamita Sanskrit; Pala This folio is from a manuscript dating back to12th century C. The manuscript bears richly decorated illustrations in the style of mural paintings, with images of Avalokiteshvara, green Tara and other minor deities, in a masterful composition of forms. They share a stylistic affinity with the Central Asian styles.
Babur Crossing the river Saun: a Baburnama folio In the middle of the paintings is a boat onto which a fish has leapt. Two soldiers armed with muskets are firing at the crocodile. All the on-lookers are sharing in the excitement which the incident has provided.
Babur is sitting beneath a pavilion constructed on the largest boat. He is the highest figure in the painting, evidencing his status as master of all the surveys. Babur supervising construction of reservoir at Istabul near Kabul He records 33 different kinds of tulips on the foothills of Dasht-i Shaikh.
In this colorful painting, Babur holds a hawk and stands near the reservoir that he constructed. In the background stands his tent. In the top right hand corner of the painting, a dancing peacock is depicted, its tail spread out in a gorgeous fan. In the foreground, a greyhound drinks water from a stream.
This is undoubtedly on one of the most delightful paintings of the Baburnama. Balabodhini Sanskrit; Sharada. The inner bark of the common birch, known more as the bhoja-patraorbhurja in their native Himalayan region, has been used most prolifically by the Hindu Kashmiri as their writing material till 18th century. In the manuscript, we do not see any illustrations being used.
The text is written in Sharada script, with pen and black ink, imparting a vivid character to the quaint birch-bark. Farman of Jalal-ud-Din Mohammad Akbar During the Mughal period, farmans in the name of the emperor, bearing the imperial seal and, sometimes also, imperial symbols were issued.
Jalal-ud-Din Mohammad Akbar credited for many victorious and perhaps most importantly, a period of religious and cultural tolerance. The Farmans issued by Emperor Akbar were very functional and institutional in veneer.
The text is in Taliq, language used is Persian. Gita Govinda of Jayadeva Sanskrit; Oriya 5. On the other hand, the text is artfully written on the succeeding leaves. Jain Kalpasutra This is the sumptuous specimen of the best known of illustrated Kalpasutras on paper.
Folios of the manuscript are filled with gleaming design, both in the writing of the text and in the illustrated panels: borders filled with Little figures against backgrounds of rich but wonderfully varying colours, elegantly written line of script, alternating from gold to silver; figurative panels equipped with meticulous details of textiles and objects and sacred symbols.
The painter has illustrated the birth of Mahavira. Kammavacha Pali; Burmese. The folio carries a male figure on the right end and a female figure on the left end in elaborately framed compartments. The two figures are anthropomorphic and with animal features simultaneously so they appear to be semi-divine creatures in the tradition of kinnaras and vidyadharas. They wear typically Burmese, tall, tiered, conical crowns. The Burmese predilection for the golden Colour is typified by the temple city of Pagan.
The painter of the present manuscript shows a clear understanding of the contents and the situations envisaged. One sees this on the very first folio which contains an invocatory verse in honor of Shiva. With great imagination the poet casts the deity in the role of a lover, considering that the theme of the whole work was essentially love.
Everything points to Shiva trying to save his beloved, his left female half which is Parvati, any unnecessary effort. The painting is rich and colourful, with strong elements of stylization, as seen in his treatment of the rocks and the flowering plant. Folio with Calligraphy and Ornamented Border As per Shai sect of Islam It is believed that Imam Ali bin Musa Raza, the eight Imam, had a dream in which al-Hamiri was standing in front of the Prophet, his daughter Fatima, his cousin Ali, and two grandsons Hasan and Husain, reciting a poem in their praise: The Imam himself was present there too.
It is also believed in Shia Islam that whosoever learns this poem by heart will surely find a place in Heaven. The calligraphic specimen has been mounted on a larger page, framed by a narrow border with a golden floral pattern surrounded by a larger border of marbled paper with abri or cloud patterns. Indian coinage has a long and rich historical tradition that provides a key source of information of political and economic changes.
It also reflects the cultural and aesthetic development of different periods and regions. Mughal Coin E Dia- 2. After the murder of his father, he became the emperor of a crumbling Mughal empire by taking the title of Shah Alam II.
The time period of his reign was from to C. Mehrabi coin of Jalal-ud-Din Akbar. A fine example of Mughal craftsmanship with minute detailing and unique shape, this coin bears inscriptions on both sides. Nalanda copper plate grant It also mentions that the grant was given by the king on the request of Maharaja Balaputra Deva of Suvarnadvipa i.
Cooch Behar Coin On the other side there is Royal Crest Legend Yatodharmastatojayah. The main currency in circulation was the British currency after and not the Narayani coins currency of the Cooch Behar. The obverse show a crowned lion on the left and an elephant on the right and the royal crest having Hanuman on top. The shield has patterns and has two swords in crossed position and a balance. Roman Byzantine coin Nepal Coin E Dia He ruled from to C.
The above coin, circular in shaped is designed with in a small square at the centre, beautifully amalgamated in a circle depicting a tridant. It dates back to Saka era. Indore Coin Holkar was a Maratha clan of Dhangar origin in India. Malhar Rao Holkar was the founder of Holkar dynasty. He succeeded his father on 17th June and ruled till C. During his reign he issued silver and copper coins in the denomination of Rupee, paisa and Anna series. All the coins struck at Indore mint represented various symbols such as sun face, bull, etc.
Indo- Greek Coin E Length: 1. They have established the Indo-Greek Kingdom, covering various parts of the northwest and northern Indian subcontinent during the last two centuries B. The Indo-Greeks ultimately disappeared as a political entity around 10th century C. Is the back of the bidet touching your toilet tank?
If so, it may not be fully locked in. Press and hold the seat release button, and slide the bidet seat forward a few inches. With the occupied seat sensor triggered, try pushing the rear wash button on the auxiliary control panel. If the unit sprays, great! Looks like we found the cause. Try to slide the bidet seat back into the bracket, making sure it fully locks into place. If the back of the bidet seat hits your toilet tank, you will need to reposition the bracket a little more forward on your toilet bowl.
Loosen the bolts, adjust the bracket, and then retighten. Our team here at BidetKing is more than happy to help you with your issues.
Simply call us at 1. We're bidet experts and we're here to change how you clean. Other stores can't compete with our experience. Have a bidet question? Get free technical support for the lifetime of your product. With multiple warehouses we can reach most of the US in 2 days with our free ground shipping. We offer the lowest prices in the industry and have the happiest customers.
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A program so fantastic it could only be brought to you by the internet's premier electronic bidet toilet seat retailer - BidetKing. Why are we doing this? Because we are so confident in the quality, functionality, and style of our best bidet seats that we are willing to let you try them, in your home, for a whole month.
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